IN recent years, Rodgers and Hammerstein’s 1943 musical Oklahoma has had something of a makeover, with hard-edged productions delighting critics and audiences. Now it’s the turn for Yeovil’s own remarkable musical theatre community, under the direction of Sheila Driver, to present a version that strips away the sentimentality, leaving the lush songs, poignant romance, sexual…
KABUL-born Khaled Hosseini, on whose debut book this play is based, left Afghanistan with his family and arrived in the USA, via Iran and France, unable to speak a word of English. Educated in California, he went on to practise medicine for ten years before producing his first novel, The Kite Runner. A naturalised American…
THE Palace Court Theatre in Bournemouth was opened in 1931, and for decades was the centre of theatrical activity in the town before closing in 1970, since when it has been used as a cinema, a church and a temporary home for various one-off activities. In 2020 it was bought by Arts University Bournemouth, and…
WHEN Andrew Lloyd Webber and Tim Rice’s rock opera Jesus Christ Superstar hit the stage in the early 1970s, it raised the hackles of many ordinary Churchgoers and those in high positions within the Christian Faith. Tim Rice’s oft quoted remark that they did not see Jesus Christ as God, but simply the right man…
IF you have seen The Woman in Black before – and after 33 years in the West End and 11 national tours, many thousands of us have – you will know that it is absolutely terrifying. You can keep your Nightmares on Elm Street or Blair Witch Projects – Susan Hill’s chilling novel, adapted brilliantly…
DAVID Nicholls’ 2003 novel Starter for Ten (and the film that followed it three years later) was based at Bristol University, so what better location for the musical version than the city’s famous Old Vic theatre. For those who missed the book and the movie, it’s about working class Brian, brought up in Southend-on-Sea, whose…
TIM Firth’s stage version of his 2003 hit film Calendar Girls opened at the Chichester Festival Theatre in 2008 as a straight play, based on the true story of the 11 members of the Rylstone and District Women’s Institute who posed for a nude calendar in order to raise money to buy a new settee…
IN the days when youngsters could ride their bicycles around in comparative safety because there were so few cars on the road, many a show off-took their hands off the handlebars with the cry “Look at me. No hands”. When Liam Mower’s Edward Scissorhands, deprived of the use of his hands because they had been…
WE are lucky in this area that from Cheltenham down to Plymouth and points East, there are local musical societies who, without the cushion of public funding, take on the challenge of presenting full-scale musicals in large professional theatres. Many of these productions are a match for, and sometimes superior to, the touring professional productions…
JUST very occasionally in a long life of reviewing plays, you find yourself watching something that you know is special. So special that it will stay in your memory forever, but more importantly will make an indelible mark on all who see it. Arthur Miller’s 1955 play A View from the Bridge must have made…