VERY often you can get the flavour of a show from the audience. Arriving for a matinee performance of this musical whodunnit from the Olivier Award-winning team responsible for Fleabag and Baby Reindeer, and thinking of the response to their success at the Edinburgh fringe festival, I was surprised that the majority of the audience…
DESCRIBED as one of the most popular children’s stories ever written, Roald Dahl’s work has survived several re-writes – in order to make it more acceptably politically correct – and two blockbuster film versions, since it was first published in 1964. When it was first suggested that it would make a good stage musical, there…
‘You lucky people, if it’s laughter you’re after, Trinder’s the name’ it was with those words that Tommy Trinder, one of the most consistent best all round comedians of the twentieth century usually started his act, and with slight alterations they would make a good prologue to the Theatre Royal Bath and Birmingham Rep’s production…
IT’s just like watching a ferret down a rathole, was a description of a very strong-willed lady as she began a discussion about a new contract. The ferocious intent that description conjures up could well be applied to actor, singer, comedian, and writer Tracey Collins in the way in which she swept onto the Tobacco…
IN the 1990s, when this story began, Take That was one of the biggest bands around, and after their reforming in 2006 after a lengthy absence, they are still big players. This show, featuring the greatest hits sung and danced by Kalifa Burton, Jamie Corner, Archie Durrant, Regan Gascoigne, and Alexandra O’Reilly, is also big….
ALAN Ayckbourn has written 81 plays, and now his 2017 work, A Brief History of Women, has opened at Yeovil’s Swan Theatre, making a dozen of his works to be performed at the intimate space. And as always, it is attracting packed audiences for this first view of the play in the region. The director…
ONCE a year Bath Light Operatic Group, like Bath Operatic and Dramatic Society, throws caution to the wind and, despite not having the cushion of big commercial backing, takes over the 900-seat Theatre Royal, knowing that if they fail to attract enough customers, they will have to foot the bill themselves. Even with the large…
WHEN is door not a door? When it’s ajar. So goes the old riddle, or in the case of this 65 minute play written and performed by Joe Sellman-Leava, when a door is used as a canvas onto which video images of Joe’s father are projected. Using these images and those of a highly talented…
DANNY Robins, writer of the play 2:22, is best known for his podcasts about The Battersea Poltergeist and other ghostly topics – his theatrical interest in the supernatural started with a visit to the ever-chilling Woman in Black. His researches for 2:22 – A Ghost Story brought a host of stories to his door and…
THERE are lots of memorable characters in PG Wodehouse’s Jeeves and Wooster stories, so it’s quite some feat for three actors to bring a dozen of them to the stage in a couple of hours, but that’s what Luke Barton, Alistair Cope and Patrick Warner do in the Goodale brothers’ delightful play-within-a-play-after-Wodehouse, at Salisbury Playhouse…